Neptune3 Studios has announced ‘Best Friends in the World: The Year Between’, a new project that extends its acclaimed youth series ‘Best Friends in the World’. The continuation explores the emotional, personal, and relational shifts that emerge during periods of growth, when friendships are tested not by singular events, but by time, change, and evolving priorities.
Set within the familiar world audiences have embraced, ‘The Year Between’ examines how once-effortless bonds begin to stretch as young people move into new phases of life. The project centres on the evolving dynamics of friendship during moments of transition, where distance, miscommunication, and personal development reshape relationships that once felt permanent.

Rather than relying on dramatic fallout, the story focuses on accumulation, conversations that feel altered, expectations that no longer align, and the emotional labour required to stay connected. As the characters navigate new realities and internal shifts, their friendship is challenged by growth itself, forcing them to confront who they are becoming and what that means for one another.
“This chapter captures the emotional in-between,” a representative from Neptune3 Studios shared. “It’s about the tension that arises when friendships begin to change, even though the connection still exists.”
With its signature warmth, honesty, and youth-forward storytelling, the project continues Neptune3 Studios’ commitment to culturally resonant narratives that reflect the lived experiences of young Nigerians. ‘The Best Friends in the World’ franchise has built a devoted following for its grounded portrayal of friendship, identity, and coming-of-age, and ‘The Year Between’ deepens that legacy by engaging more directly with emotional distance, communication gaps, and self-discovery.

By spotlighting the challenge of maintaining connection while growing into oneself, ‘Best Friends in the World: The Year Between’ speaks to a generation navigating adulthood, shifting identities, and changing relationships.





















