FilmHouse Group and Inkblot Productions, two of Nigeria’s leading forces in film production and distribution, have unveiled their next move: KAVA, a global streaming platform dedicated entirely to African content. Set to launch in August, the platform is designed as a one-stop hub for African storytelling, bringing together films, series, and original content with no geographical restrictions.
“Years ago, Nollywood only had about 5% of the screens in cinemas. Today, it holds over 50%. That’s because Nigerians want to see themselves,” said Naz Onuzo, co-founder of Inkblot and a key voice behind KAVA. “With KAVA, we’re taking that demand a step further. We want to be participants in taking our stories across the world, and this platform gives us a level of control we’ve never had before.”
Built on collaboration, KAVA reflects a decade-long legacy of storytelling through the lens of African filmmakers. It launches with over 30 titles, spanning films and series, and will eventually expand into short films, documentaries, and incubated content that previously lacked a home. The platform is also geared toward post-theatrical distribution, giving films a second life after their cinema runs.
Damola Ademola, Head of Product for KAVA, emphasised the platform’s dynamic and user-focused design. “It’s not your usual action-romance-thriller categorisation. Our system is fun, distinctly African, and offers a window into our world,” he said. Available across all devices—web, smart TV, mobile, and laptop—KAVA comes with a dynamic pricing model. Subscription costs will vary based on regions, with localised pricing reflected in native currencies. An AVOD (advertising video on demand) option will also be available.
KAVA’s strategy includes campus tours, multi-city activations, and tapping into existing relationships across the continent to build a truly pan-African library. The goal is to acquire, remaster, and preserve older African films, creating an archival repository of cinema history.
A key part of KAVA’s mission is to create room for emerging voices across the continent. According to Onuzo, “We’ve debuted more first-time filmmakers than any other company, and KAVA is a continuation of that legacy.” The platform is building pipelines through film festivals, industry partnerships, and collaborations with young creatives, providing a home for stories that often struggle to find distribution. “This is about access,” he adds. “And ensuring that new talent has a space to grow.”
Kene Okwuosa, CEO of KAVA, said: “This is more than a platform; it’s an ecosystem for African content, focusing on underserved global demand. KAVA exists to serve audiences and also represents both a cultural leap and a commercial opportunity. We’re not just streaming films; we’re building the digital infrastructure for the future of African cinema. We want our audiences to feel the joy of seeing their language, their humour, and their struggles and triumphs on screen. To feel seen and like they’re part of something bigger.”
By creating a focused space for African narratives and removing barriers to global access, KAVA hopes to reshape how the world experiences African cinema.
